1900 to 1930 Global
Expressionism in paintings, predominantly emerging from early 20th century Germany, served as a visual manifestation of societal anxieties during a time of rapid urbanization and cultural upheaval. As cities expanded and the world underwent unprecedented changes, artists sought to break from traditional norms. Instead of capturing objective reality, Expressionists delved deeply into the human psyche, aiming to evoke raw emotions and internal conflicts through their artwork.
The hallmarks of this movement were its bold, often jarring color choices and deliberate distortions of form. Colors were not used to replicate the world accurately but to convey specific moods or emotions. Forms, especially the human figure, were exaggerated or twisted to emphasize emotional intensity or inner turmoil. The very brushwork in these paintings was dynamic, with rough and visible strokes, adding to the sense of immediacy and energy.
Prominent figures like Edvard Munch's "The Scream" or Egon Schiele's intimate portraits exemplify the movement's essence. These artworks, laden with emotion and introspection, encapsulated the collective feeling of unease and introspection of their era. As a movement, Expressionism forever underscored the power of art not just to depict the world, but to interpret and convey its deeper emotional currents.