Spring, 1900

Teodor Axentowicz's Spring (1900) combines the symbolism of self-reflection with the seasonal theme of renewal. The woman holding a mirror isn't here a symbol of vanity but the act of introspection, reflecting on oneself as spring represents a fresh start for nature. The painting ties together the idea that just as nature undergoes transformation in spring, so too does an individual through self-reflection and personal growth. The Art Nouveau style, with its flowing lines and organic forms, enhances this connection between the human figure and nature, emphasizing harmony and the cycle of renewal.